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<Original Paper>Desdemona's Lie in Othello
https://doi.org/10.15112/00005100
https://doi.org/10.15112/0000510045f3fc2f-c071-49fe-89a1-5edd7ea628a3
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
PDF (120.1 kB)
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| Item type | 紀要論文(ELS) / Departmental Bulletin Paper(1) | |||||||
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| 公開日 | 2003-01-01 | |||||||
| タイトル | ||||||||
| タイトル | <Original Paper>Desdemona's Lie in Othello | |||||||
| 言語 | en | |||||||
| 言語 | ||||||||
| 言語 | eng | |||||||
| キーワード | ||||||||
| 言語 | en | |||||||
| 主題Scheme | Other | |||||||
| 主題 | Desdemona | |||||||
| キーワード | ||||||||
| 言語 | en | |||||||
| 主題Scheme | Other | |||||||
| 主題 | Othello | |||||||
| キーワード | ||||||||
| 言語 | en | |||||||
| 主題Scheme | Other | |||||||
| 主題 | Iago | |||||||
| キーワード | ||||||||
| 言語 | en | |||||||
| 主題Scheme | Other | |||||||
| 主題 | pretending | |||||||
| キーワード | ||||||||
| 言語 | en | |||||||
| 主題Scheme | Other | |||||||
| 主題 | lie | |||||||
| 資源タイプ | ||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||
| 資源タイプ | departmental bulletin paper | |||||||
| ID登録 | ||||||||
| ID登録 | 10.15112/00005100 | |||||||
| ID登録タイプ | JaLC | |||||||
| ページ属性 | ||||||||
| 内容記述タイプ | Other | |||||||
| 内容記述 | P(論文) | |||||||
| 著者名(英) |
Hashimoto, Nobuko
× Hashimoto, Nobuko
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| 著者所属(英) | ||||||||
| en | ||||||||
| Department of medical Social Work, Faculty of Medical Welfare, Kawasaki University of Medical Welfare | ||||||||
| 抄録(英) | ||||||||
| en | ||||||||
| Othello was written when Shakespeare had reached his maturity. Othello, different from his other tragedies, involves no struggle for the throne. In Othello it is the love between Othello and Desdemona that is at stake. So it can be called ""a domestic play"". Shakespeare tried to probe into human nature in this simple structured play. Blinded by outer appearance or pretense, the characters cannot understand what others really mean or what they really are. There is a deep gap between what the characters think and what things really are. Iago shows vicious malice towards people around him. He enjoys manipulating them. Othello and Desdemona's marriage is shadowed from the beginning by an ominous tinge. Pretending to be honest and loyal, Iago gets Othello's unshakable trust. He is much versed in human nature. He knows people are eager to hear more after hearing hints or a partial disclosure. Trapped by Iago, Othello comes to believe that his wife is unfaithful to him. He thinks he must kill her to prevent her further adultery. At her death Desdemona tells a lie that she had killed herself. This is her only lie. Her lie is a lie of love and sheds light on the whole story, making it noble and dignified. Her lie changes Othello's death from a miserable one to an uplifting one. | ||||||||
| 書誌情報 |
en : Kawasaki journal of medical welfare 巻 9, 号 1, p. 31-38, 発行日 2003 |
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| 公開者 | ||||||||
| 出版者 | 川崎医療福祉学会 | |||||||
| 雑誌書誌ID | ||||||||
| 収録物識別子タイプ | NCID | |||||||
| 収録物識別子 | AA11108172 | |||||||
| ISSN | ||||||||
| 収録物識別子タイプ | PISSN | |||||||
| 収録物識別子 | 1341-5077 | |||||||
| URL | ||||||||
| 内容記述タイプ | Other | |||||||
| 内容記述 | http://www.kawasaki-m.ac.jp/soc/mw/journal/en/2003-e09-1/05-hashimoto.pdf | |||||||
